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The exhibition "Todos los conciertos, todas las noches, todo vacío" by artist Ana Laura Aláez (Bilbao, 1964), curated by Bea Espejo, introduces corrective elements linked to the gender perspective from the use of materials and procedural strategies apart from those considered traditionally sculptural.

This is the first monographic exhibition of this magnitude presented in her hometown, in which some of her latest works are shown in dialogue with others of her earlier works.

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