Both the “Ágil y un placaje” (“Nimble and a tackle”) project and a large part of its process revolves around the movement and qualities of recording from the game itself as a temporary invalidator of reality. During this stage of the process, attention will focus on the construction of recording tools.
“The breaking up material shows the gap where that which is beyond itself escapes. I tend to use games to get myself into that place where the elements escape. In its common meaning, games are highly regulated so that pleasure can take place. In my case, they allow me to function narcissistically, as understood by Marshall McLuhan, where Narcissus was condemned to not recognising his reflection as opposed to falling in love with it.”